About Me
MY STORY
I’m Myles Kreiner, a University of Miami student, entrepreneur, DJ, and music producer. I love creating something from nothing, whether that means developing a business idea, working on a track, or shaping the identity of a creative project.
Entrepreneurship and music are central to who I am. Both give me a way to explore ideas and turn them into something other people can experience.
Live DJing on CDJ3000s and a DJM-V10
ENTREPRENEURSHIP
My projects
My entrepreneurial work has included Talisman, Epiphany, and Konkord.me. Across these projects, I have explored technology, sales communication, and business development.
I’m interested in how an idea becomes useful to someone else: what problem it addresses, how it is explained, and why someone would care about it.
Talisman
Epiphany
Konkord.me
Konkord was my first entrepreneurial project. It was also my chance to turn a love of technology into a real business. I began working on Konkord when I was fourteen. I experimented with blockchain services wondering what it would mean to create something for others. Konkord gave my curiosity a path and turned entrepreneurship into a possibility for me. My interest in blockchain at such a young age is a testament to my curiosity.
Starting young meant learning as I went. I had to figure out how to explain an idea, how to show its worth and how to face the duties that come with running a company. These questions shaped my understanding of business. They became the foundation of how I thought about entrepreneurship.
Looking back Konkord is the start of a pattern that shows up in all my projects. It is about finding something that sparks my interest and then taking action to build it. Konkord strengthened my passion for technology and business development. It also gave me a starting point, for projects like Epiphany and Talisman as my interests changed.
Epiphany came from my interest in how businesses turn attention into conversations with customers. The project, which formed the beginning of my freshman year of college, focused on combining video funnels with automated outbound marketing, making it easier to move from a message to learning about an offer and booking a call.
The idea brought together parts of the customer journey. Outbound messaging could introduce a business while a video could explain its value in a personal and engaging way. A booking option on the page could then give a visitor a direct next step.
Working on Epiphany made me think about communication as an experience that grows through interactions. Each message and page had to have a purpose. The link, between them was important. For me the project was a way to explore sales, marketing and automation together building on my entrepreneurial interests and helping shape the path I would continue with Talisman after that.
Talisman is an AI sales platform I created to help B2B businesses handle LinkedIn outreach, conversations and meeting scheduling. It is designed for teams and founders who need to build customer relationships while also handling the other tasks of running a business.
The platform helps make outreach more personal, manage responses, and guide conversations toward a meeting. The campaign assistant makes setup as easy as a conversation letting users describe their business through a chat, a website, or a document. That information helps define the audience, the tone, the message, and the next action needed.
Creating Talisman has increased my passion for using AI in a business process. It has also shown me how important clear communication is both in the product and in explaining it to customers. My aim is to cut down on outreach so teams can spend more time on real conversations and the relationships that help their businesses grow in a lasting way.
Daft Punk's debut studio album "Homework" vinyl cover
Daft Punk has had an influence on my taste in music because their records make repetition feel alive. Listening to *Homework* I hear how much emotion can exist inside a groove. A bassline, a drum pattern and a small change in texture can hold my attention longer than an arrangement constantly introducing something new.
What inspires me is how they made it. Thomas Bangalter and Guy-Manuel de Homem-Christo recorded their debut in a home setup with Bangalter confirming that *Homework* was made in his bedroom. Their approach makes creating music feel accessible.
The technical process fascinates me. Bangalter described recording hardware through a mixer and compressor onto DAT then transferring those recordings into a Roland S-760 sampler to cut them into sections. That meant treating recorded sound as material they could reshape and rearrange. The recording itself became another instrument.
Their main compressor on *Homework* was the Alesis 3630. The unit Guy-Manuel described was $300. It was not their compressor but its importance challenges the assumption that expensive equipment creates better music. They were drawn to the forceful compression of American FM radio and made that fascination part of their musical identity.
That thinking connects directly to my interest in tech house. I’m drawn to music where the relationship between sounds matters: how the bass sits against the kick how repetition builds anticipation. How removing one element changes the room.
Daft Punk reminds me to make choices with what I have. Their influence reaches beyond the tracks I enjoy. It shapes the producer I want to become.
MUSIC
I’m part of mature, a DJ and production duo. My musical interests include UK garage, minimal, and tech house.
I’m also developing Mature Sound as a concept for music sessions in coffee shops and other venues. It connects my interest in music with visual branding and the atmosphere surrounding an experience.
WHAT I BRING
What I Bring
I bring an entrepreneurial mindset and a creative perspective. I enjoy developing ideas, asking questions, and turning a concept into something concrete that people can discuss and improve.
I want to contribute to teams where people take ownership, communicate directly, and care about what they create.
